Showing posts with label Africa. Show all posts
Showing posts with label Africa. Show all posts

Tuesday, July 28, 2020

The Missing American


Internet scammers, a political assassination, a mysterious journalist, an intrepid young private investigator, and the fascinating setting of Ghana—these are just a few of the elements that drive the action in Kwei Quartey's exquisite new crime novel, THE MISSING AMERICAN (Soho, 2020).

THE MISSING AMERICAN introduces the young PI Emma Djan, a 26-year-old Ghanaian woman who, following in her father’s footsteps, longs to be a homicide detective but is instead placed in a police bureaucracy that has her investigating dull financial cases and facing sexual harassment from her superior in the Criminal Investigation Department. The latter ultimately lands her in a situation that gets her sacked from the CID—but it’s a blessing in disguise, as she is hired at a local private investigation agency where her ambitions are better fulfilled and her talents respected.

Emma Djan is almost immediately drawn into the investigation of a missing American man, Gordon Tilson, who arrived in Ghana in hopes of meeting a beautiful woman he met online. That woman turns out to be a fraud run by one of Ghana’s infamous sakawa boys, a ring of criminal who combine cybercrimes with “traditional” rituals that allegedly enhance their power to swindle unsuspecting foreigners.

The bewildering details and rituals of sakawa are vividly rendered by Quartey in his unique and at times hypnotic prose. Where other authors may have glossed over some of these details, Quartey spares us none, which allows the reader a much richer understanding of what is at stake. 
An apparent bust of sakawa boys in Ghana
in a typical staged police photo
We meet several of the sakawa boys and the fetish priest, Kewku Ponsu, from whom they seek their supernatural enablement and around whom they revolve. Ponsu is but one of the memorable characters in THE MISSING AMERICAN.

One of the most enigmatic characters is a powerful investigative journalist, Sana Sana, whose reports reveal the perpetrators of crimes and corruption at the highest levels. With so much on the line, Sana Sana fiercely guards his anonymity, veils himself behind a curtain of beads when meeting with people and undertakes a plethora of security measures before going anywhere. His investigation into sakawa means his path intersects with everyone from Gordon Tilson to Emma Djan.

This is a long novel that is rewarding on a number of levels. The Ghanaian setting will be unfamiliar to most readers, but Quartey is a gifted guide through its sights, smells, and tastes. His rendering of the places, ethnic groups, and even dialects and pidgin English is expert. There are many crimes in the book, not just the internet scams, but of course murder, too. (We know from the title that someone goes missing.) The criminal elements are not much of a shock or surprise; but, like a great work of detection, they are presented and solved alongside the progress Emma Djan makes as the plot unfolds. The suspenseful pulse of the book is derived from the many elements of the plot and subplots that require satisfying resolutions--and Quartey, better than most writers, delivers in tying them up.

Anas Aremeyaw Anas -- the
real-life Sana Sana?
Quartey brings alive a corner of Africa by mining realistic details of life and crime in contemporary Ghana and weaving them into a compelling and entertaining narrative. The sakawa boys present a huge challenge in global cybercrime, but also in local politics. Sana Sana appears be based on a real investigative journalist Anas Aremeyaw Anas, who maintains his anonymity almost identically to the way Quartey describes his fictional counterpart. The Ghanaian locations, cities, landmarks, foods, slang are all credibly portrayed and thereby lend the most enjoyable details to this delicious and spellbinding novel.

Wednesday, December 10, 2008

The Unheard and Trickster in Tweed

The first of two books I want to mention was published last year to some good notices and I took a chance on it because it deals with Africa. I'm a nut for most memoirs or novels of Africa. This one, The Unheard by Josh Swiller (Holt Paperbacks, 2007), is a memoir about Swiller's deafness
and how it impacts his tour as a Peace Corps volunteer in Zambia, a republic in southern Africa just north of Zimbabwe. I read it last December and it still sticks with me!

Swiller takes what could be a very maudlin story (a deaf guy in Africa... OK, so what?, you might think) and weaves it into a heartfelt and compelling narrative about the challenges of being an outsider in a village in northern Zambia. The intensity of the local politics surprise him--and how he navigates them helps propel the story. You'll also enjoy learning about the inner workings of the Peace Corps. What's great about this story is that Swiller's deafness is by all means not the greatest of his challenges in Africa. The simple rudiments of everyday life in a foreign context are brought into sharp relief in a unique and thought-provoking way. And to top it all off, Josh Swiller happens to be an excellent storyteller... I couldn't put the book down. Although there are times of frustration, and I don't necessarily agree with Swiller's level of involvement in some of the political battles of his village (which are nonetheless the kind of ethical issues that anthropologists face all the time), you'll find this is a terrific read that hopefully will give you something to think about.

A completely different book is Trickster in Tweed: The Quest for Quality in Faculty Life by Thomas Frentz, a distinguished professor of communication at the University of Arkansas (Left Coast Press, 2008). I will start by giving the disclaimer that Frentz was my teacher in a non-major course in autoethnographic writing that I took one semester when I had a brain freeze and thought that signing up for a communications class would be a good idea. As it turns out, Frentz's class--like this book--was full of surprises, hilarious anecdotes, and surprising wisdom.

Frentz's short but erudite book blends stories from his personal and professional lives, suggesting that the two are intimately and inextricably connected and can influence one another often in unexpected and unintended ways. He sees himself as a kind of "Trickster," a mischief-making character who uses humor to destroy the stodgy structures of the academy (and of "real life!") without destroying other people. As he admits, this is not always an easy task, for there are many roles one may assume other than the trickster--the shepherd, the sheep, the wolf. Too often, Frentz had been the wolf, always at the ready in a situation to show a little fang. But the Trickster-outlaw is a more comfortable persona and one that fits him well.

In this book, Frentz also expands the horizons of autoethnography by using his personal quest for Quality as an illustration and formative story for the reader. We are with him through a few stories of a challenging upbringing; through various tenure denials and professional triumphs; through his own cancer diagnosis and the loss of his dear spouse. It's some tough emotional material dealt to us in a palatable, understanding hand. No need to be an academic to read or enjoy this book, though, as it is largely jargon-free and has a narrative arc. It is in a sense a memoir that is often (and often at the same time) heartbreaking and hysterically funny. I think most general readers would enjoy it, especially as he draws on the very-popular work by Robert Pirsig, Zen and the Art of Motorcylce Maintenance.
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PARTING WISDOM: "...Be patient toward all that is unsolved in your heart and to try to love the questions themselves like locked rooms and like books that are written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now." - Rainer Maria Rilke, from Letters to a Young Poet